Palestine Uprooted: Nakba Past and Present

Opening June 27, 2026

This exhibition has not started yet.

Women and children carrying bundles on their heads walk along a dirt road. Partially obscured. — Photo: David S. Boyer, public domain

Palestinians use the word al‐Nakba — Arabic for “the catastrophe” — to describe their forced displacement in 1948.

In 1948, militias, followed by Israeli forces, expelled civilians, destroying or emptying hundreds of villages amid regional war and lasting instability. Around 750,000 Palestinians were forcibly displaced during the creation of the State of Israel.

Five generations later, these people and their descendants still live with insecurity and uncertainty and are unable to return home.

The exhibition Palestine Uprooted: Nakba Past and Present explores the human rights violations related to the ongoing forced displacement and dispossession of Palestinians. Featuring personal stories told through objects and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for justice and human rights. Together with art, photos, and text, these elements reveal enduring patterns of loss and resistance.

For Palestinians, the Nakba is both their history and their present — it is an ongoing process shaping every aspect of life today.

A long line of people carrying knapsacks and bags walk through the rubble of a city. — Displaced Palestinians walk along a road in Jabalia, as they leave areas near Gaza City, January 19, 2025. Photo: Omar Al-Qattaa, Getty Images

We have not disappeared, and we have not forgotten. And we are here.

Rana Abdulla, Palestinian Canadian born in Kuwait, accountant, business owner, artist, grandmother, daughter of Nakba survivors.

Palestine Uprooted: Nakba Past and Present opens opens June 27, 2026 in the Rights Today gallery, on Level 5 of the Canadian Museum for Human Rights.

This exhibition is being developed in collaboration with an advisory network of scholars, artists and community members, whose insights and lived experiences shape its content and approach.

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