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Topics: Indigenous rights

Exhibitions

Reclaiming Power and Place

May 3, 2025 – April 5, 2030

Discover how two local Indigenous artists/matriarchs respond to the need for justice by creating awareness through art and action.

Six red dresses and a white dress in the middle are suspended on wooden clothes hangers in front of a backdrop. A white star glows at the location of the heart on the central white dress. The backdrop features patterns on a birchbark texture. Some of the patterns are illuminated from behind to create glowing star-like features on the panels.

Stories

The Re‐emergence of 2Spirit People in the 21st Century

By Albert McLeod

Two‐Spirit individuals were cherished in Indigenous cultures, Albert McLeod writes, but European colonizers imposed rigid, binary definitions of gender and sexuality that activists are working to dismantle.

A group of marchers carrying signs that read “2-Spirited People of the 1st Nations” are walking down the centre of a city street while onlookers watch behind barriers on both sides.

What Is Two‐Spirit? Part One: Origins

By Scott de Groot

Discover the history and meaning of Two‐Spirit. The term speaks to community self‐determination, rejects colonial gender norms and celebrates Indigenous sexual and gender diversity.

A poster featuring large artwork depicting two faces in dramatic colours and patterns, with background imagery including hands, standing figures and geometric shapes. A large title at the top reads “The 10th Annual International Two Spirit Gathering” and text at the bottom reads “August 27-31, 1997. Onamia, Minnesota.”

Heartbeat of a People

By Dave McLeod

First Nation, Inuit and Métis music has demonstrated remarkable resilience and adaptability throughout history. Music by the people is still at the heart of who they are, as it has been for millennia.

Close-up on a group of people wearing beaded jackets and vests performing on stage. In the centreer, a man wearing glasses, a hat, and a large, beaded medallion sings into a microphone.

Treaty 3: Honouring its truths

By Carlie Kane

Treaties were meant to ensure peaceful co‐existence between settlers and Indigenous peoples. But they became instruments of colonial control. Together, we can return to the original goal of mutual respect and care.

Mist rises off a large, calm lake surrounded by an evergreen forest.

The Doctrine of Discovery

By Travis Tomchuk

Learn about this 500‐year‐old colonial idea that still affects Canada’s treatment of Indigenous peoples.

Two people in braids and ribbon skirts raise fists and hold a large cloth banner reading “RESCIND THE DOCTRINE” on the steps of an enormous cathedral.

The United Nations Declaration on the Rights of Indigenous Peoples

By Karine Duhamel

What is the UNDRIP and why is it important? What does Canada’s commitment to enact UNDRIP mean? How will it impact treaty rights, land, resources and cultural rights in Canada?

Drawing of a diverse group of people, one of whom holds up a blank page meant to symbolize the Declaration.

The murder of Elzéar Goulet and the struggle for Métis rights

By Karine Duhamel

Elzéar was raised in the Métis trapping and trading tradition and was killed for his role in the Red River Resistance. His story reflects the long struggle for Métis rights that includes the founding of Manitoba.

Riders on horseback with arrows and lances drawn ride across a rolling prairie landscape towards a herd of buffalo.

Picking Up the Pieces: The Making of the Witness Blanket

Large artwork consisting of objects set in cedar frames.

Dick Patrick: An Indigenous veteran’s fight for inclusion

By Steve McCullough and Jason Permanand

Patrick was awarded the Military Medal for bravery in the Second World War, but back in British Columbia he was refused restaurant service because he was Indigenous. That didn't stop him.

A snow-covered country road with mountains in the background.

The Two Row Wampum

By Karine Duhamel

The Two Row Wampum, known as Teiohate Kaswenta in the Mohawk language, tells the story of an agreement between Indigenous people and the Dutch. The agreement is founded upon the respectful co‐existence of two different nations.

An image being projected onto a curved wall that is about nine feet tall. It is made up of many small squares and has the appearance of Indigenous bead work or a mosaic. The image is mainly made up of white squares, but it also features two thick blue horizontal lines that run parallel to each other.

Planting a seed: Creating a community garden at the Museum

By Matthew McRae

My partner and I have a small garden just outside the front door of our home. I will admit that it’s not much to look at.

Seven men and women work in a garden on a sunny day. The garden is circular and has very few plants in it. Around the garden are tall grass, trees, a walking path and a sidewalk. In the background, part of the Museum’s stone structure can be seen.

Truth and reconciliation: What’s next?

By Karine Duhamel

This article series has focused on the way we present Indigenous content within the Museum and how we are approaching reconciliation.

A closeup of a carved wooden box, showing the carved face of a person with a painted red hand over their mouth.

Lighting the Flame at the Pan American Games

By Rhea Yates

Fifty years ago, 10 young Indigenous athletes ran an 800‐kilometre relay from St. Paul, Minnesota, to Winnipeg, Manitoba, carrying the torch that would open the 1967 Pan American Games.

A man carrying a torch stands on a ladder to light a flame within a copper cauldron.

Approaching the human rights stories of Indigenous peoples

By Karine Duhamel

This article focuses on the creation and development of exhibition content exploring the human rights stories of Indigenous people in this country. To tell these stories, the Museum engaged with communities and individuals in a process of truth‐telling.

A closeup of a carved wooden box, showing the carved face of a person against a white background.

The nuts and bolts of reconciliation

By Karine Duhamel

As a child, I often visited museums. I was lucky to be able to travel with my family, and to visit interpretive spaces across the country.

A closeup of a carved wooden box, showing a painted image of a red hand over a carved mouth.

Why reconciliation? Why now?

By Karine Duhamel

Since the publication of the Truth and Reconciliation Commission of Canada’s final report in 2015, more and more Canadians seem focused on the idea of reconciliation.

Carved wooden faces

Reconciliation: A movement of hope or a movement of guilt?

By Karine Duhamel

In Why reconciliation? Why now? I talked about the idea of reconciliation as an invitation to a new and shared future and as a pathway towards a good life, both for Indigenous people and for other Canadians.

Carved wooden face

Resource guides

Missing and Murdered Indigenous Women, Girls and 2SLGBTQI+ People

In this guide, you will find links to resources related to the epidemic of missing and murdered Indigenous women, girls and 2SLGBTQI+ people in Canada and the United States.

5 red dresses of different sizes and designs are displayed on mannequins.

Web projects

The Witness Blanket

This monumental work of art honours Survivors of Canada’s residential schools. A new website lets you learn from their experiences and bear witness to their stories.

A person with curly hair, glasses and wearing a black top examines a large artwork consisting of objects set in cedar frames. The image has been broken into interlocking geometric shapes over a pale brown background with a slight wood grain texture.

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